Metropolis
A gauze
over
a sideways
gaze
I
aver a venus
I mean
there's fur &
filigree I agree
to be
blind
I find the cold
shoulder
I grow bolder
when nobody notices
my many
crutches
I rush to barricade
I beg
to be in the bass
saxophone; a cerulean
ovesight
the warm cadre
in the backroom
mirrors the gloom
outside
put on your red shoes
& tremble
like a flower or
delirium tremens
wholesome thugs
trade this for a spear
& a jawbone &
the band still
played on until their turn
against the wall
Still Life with Three Skulls
I wish I had a card heart,
strawberry-red & molting;
But I am
inverted & blackened: who wants
to be the ace of spades?
Three friends who cannot engage
the brown spirits:
speak evil, see evil, look
to the stars for a sense of perspective.
Candle svelte like a V2,
a thing like a tongue, backlit
fishnet cathedral glass.
Everything's in the cards
if the cards are marked & there's
a sodden old handkerchief tucked
up your sleeve. Perspective
gets distorted when you're yucking
it up with the boys. O to be
a joker instead of the suicide
king, always plunging
the saber deeper when
all you wanted was to
scratch
what itched
you & carve your name
into the table
before getting lost toward the bottom
of that unlocked dresser drawer.
Children, Tonight I'll Pick Something Out
Even the sparrow bleeds perfume
in spring. A man
sprays
fire when all he gets
is a kiss. Skinny
or fat, they
are all sad when they eat
sandwiches. They
whine
when they bend & their backs
are already sore.
Rich
or poor, their lungs
are filled with fluid from
choking on their
woes. The old man fixes
his gaze on the beeping
sparrows in there trees;
Marlene suffer all the fools
who write you on the wall
of the specimen room
where one bright thing begins;
forgive me please,
diamonkey, pierce through
writer man. Don't go away
heart broken, go away
white & strut for
the troops, the troops
& their sinister context.
Our tears flow
after the recount, O Marlene
suffer everyone waiting
in the wings to try to haul
that angel to the roof
with bloody ropes;
dead hand will change
the plot to pluck the sepals
of the daisy down to the
ghastly yellow mouth. Love me
not, you sad-eyed pearl.
his gaze on the beeping
sparrows in there trees;
Marlene suffer all the fools
who write you on the wall
of the specimen room
where one bright thing begins;
forgive me please,
diamonkey, pierce through
writer man. Don't go away
heart broken, go away
white & strut for
the troops, the troops
& their sinister context.
Our tears flow
after the recount, O Marlene
suffer everyone waiting
in the wings to try to haul
that angel to the roof
with bloody ropes;
dead hand will change
the plot to pluck the sepals
of the daisy down to the
ghastly yellow mouth. Love me
not, you sad-eyed pearl.
Lonely House
the rooms like moods.
Stars are alone; viewed
from the outside the Dyson sphere
of my dolor is
pistacchio green.
The austere chrome
faces stare into posterity.
Sometimes I forget
everyone who's dead.
Ring around the sun
pocket full of
dynamite, candy dots
on ribbons of parchment
dumb brail that trails,
sebaceous, over the cracks
that break the backs
of lovers & Romantic doubles,
a farce of lost phone
chargers & a hopscotch court
for sorrow, for
mirth, for weddings & the birth
of a thousand tomorrows. There's
a vacuum where heaven
might've been
if only the opera hadn't taken so long
to get started. A wardrobe
filled with moth holes &
bowler hats. An audience chatting
during your solo,
devouring mouthfuls of popcorn
& Cheez-its as you
solemnly remove your eyeballs
& stagger in circles,
your gore a calligraphic
signature across the boards.
The Ballad of Sexual Obsession
The world is a cubicle
& when you think
outside of it,
you’ll find yourself
standing just beneath
the noose.
Time isn’t really
had but made out of quick-
lime : everything,
then, becomes
an academic question.
The man is a gasbag,
but he finds himself
enthralled by
his own
toned buttocks.
He devours a cold
chicken
breast to better
achieve a mind of winter.
It's true they're idiots
& true he's the tool
of Satan but Satan
only wants to have you
for tea & to give
bunny his good supper.
Singing in the rain
of artillery; sex is so
2005--there's an app
for that: it's called
oblivion, equal parts
lion & libido. Follow
the chimera tracks
in the dust to where
the gold hare lies
buried by the collapsing
buildings.
achieve a mind of winter.
It's true they're idiots
& true he's the tool
of Satan but Satan
only wants to have you
for tea & to give
bunny his good supper.
Singing in the rain
of artillery; sex is so
2005--there's an app
for that: it's called
oblivion, equal parts
lion & libido. Follow
the chimera tracks
in the dust to where
the gold hare lies
buried by the collapsing
buildings.
Sing, Nightingale, Sing
tho there is no tree
& no garden. Keats died
from flying coach;
the bird pops
from branch to branch
to annoy
Fanny in her mourning;
I write my ode to the mockingbird
who can sound
like a car alarm or
"Music for Airports," singing
all night long because
the diamond ring was only
a bluff. The left-side engine
is blown out by a thousand
metaphors for poetry
& the captain must land
the rig while reciting lines
from "The Road Less
Travelled." Spring
means pollen & it has made
all the difference : I'm
not crying, you're crying.
My eyes just look like this
when the winds
change & they bulldoze
our sacred grove
to build another 7-11.
Good Weather Today
A crater
where the stage
should be. A hole
for a poem. Film
stock gone
grainy, a meeting to plan
the exam that we will all
administer
in one week’s time. It’s
a fine
day to take a stroll &
once your toe
is in the acid
bath, there’s nowhere to go
but to pieces. Beware folks
who love parades or prefer
to defer to experts
who all have the same first name.
Do not make the world
too comfortable or else
they'll want to stay.
The machines don't need us
for batteries because we're dim
bulbs though we burn
for quite some time
if properly lit.
As above, so below
& it's stupid at the top
& lava at the bottom.
who love parades or prefer
to defer to experts
who all have the same first name.
Do not make the world
too comfortable or else
they'll want to stay.
The machines don't need us
for batteries because we're dim
bulbs though we burn
for quite some time
if properly lit.
As above, so below
& it's stupid at the top
& lava at the bottom.
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